By Daisy Delogu
Allegorical Bodies starts with the paradoxical remark that whilst the royal directors of past due fourteenth and early fifteenth-century France excluded girls from the royal succession throughout the codification of Salic legislation, writers of the interval followed the feminine shape because the allegorical personification of France itself. contemplating the position of girl allegorical figures within the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, in addition to within the sermons of Jean Gerson, Daisy Delogu finds how woman allegories of the dominion of France and the collage of Paris have been used to conceptualize, build, and protect constructions of energy through the tumultuous reign of the mad king Charles VI (1380–1422).
An extraordinary exam of the intersection among gender, allegory, and political suggestion, Delogu’s publication highlights the significance of gender to the functioning of allegory and to the development of overdue medieval French identity.
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Additional resources for Allegorical Bodies: Power and Gender in Late Medieval France
Allegorical Bodies: Power and Gender in Late Medieval France by Daisy Delogu